A flat-broke and spirited heiress, disowned by her wealthy mother, rallies her dysfunctional young family to try to win a large cash prize at the conniving mom's extravagant Christmas gala held each year at her mansion.

This visual postcard wishes its viewers a Happy Christmas and other good wishes one sends on a joyous occasion such as the holidays. However, this video postcard starts out with an idyllic winter scene soon transgresses into a bizarre series of appearances of a fish spitting out words, an elephant who appears to be half made out of jelly playing with a ball. All these add to the strange atmosphere of Mulloy’s Christmas card. Mulloy was inspired by the financial crisis to depict a bleak winter.

Near the intersection of Witcham and Jackson, Georgie Denbrough’s young life came to an abrupt and tragic end. But what if Pennywise the Dancing Clown hadn’t killed Georgie after all?

交叉口附近的Witcham和杰克逊，乔治Denbrough是年轻的生命来到了一个突然的和悲剧性的结束。 但是，如果锱铢必较的跳舞的小丑没有杀死乔治？

Gopan lived with his widowed father Aravindakshan Nair and falls in love with Sheethal, his neighour. Together they tries the match of former sweethearts Rangaswami Iyengar and Kasthuri who are neighours. But there is twist when a Chennai-born man Swaminathan who see Sheethal.But in the end gopan & sheetal are united.

It's Cathy's party, but she's not having a good time. The boys have found an Ouija board and are out for some harmless fun. When strange things start to happen, they blame each other, but the joke goes too far and soon they realize it isn't a joke at all...

Gopan falls in love with Sheethal who moves in upstairs. But Sheethal has other plans on her mind , like trying to reunite the separated couple of Rangaswami Iyengar and Kasthuri.

A small town youth finds fulfillment and romance in a big city's creative writing course, but feels obliged to sacrifice them when his sister's home life deteriorates in his absence.

Poetry meets technology in this film about the cycle of the seasons. Narrated by William Shatner, and accompanied by a special digital "surround" recording of Antonio Vivaldi's The Four Seasons, the film takes audiences on a breathtaking trip through the eruption of spring, the growth of summer, the harvest and festivity of autumn, and the dormancy of winter. The beauty of the seasons is interspersed with a look at the earth as a planet, the sun as a star, and the human quest to understand the relationship between the two.

Seasons is an experimental video that weaves personal memory, movement, and the ephemeral nature of love into a poetic narrative across four acts. Each section corresponds to a season and a place: Winter in Japan, Spring in Korea, Summer in China, and Fall in Love. The first three acts are created using a "motion extract" technique, where only movement is captured, leaving a haunting black backdrop that frames the fleeting motions of life. These segments reflect the director's time spent working on projects in Japan, Korea, and China during the respective seasons, grounding each location in its temporality. The original audio from the filming process accompanies these visuals, immersing viewers in the specific textures of each place. In the final act, Fall in Love, the clarity of both video and sound dissolves into a blur, reflecting the elusiveness and fragility of love and memory. The faint echoes of the director’s conversations with a former partner linger in this obscured space, hinting at intimacy while withholding its full shape, leaving the audience to contend with the ambiguity of what remains. Through Seasons, the director captures not just the transience of time and place but also the impermanence of human connections, inviting viewers to reflect on the movements that define their own lives.